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1. #LIL WAYNE NEW ALBUM SONG NAMES FULL#
2. #LIL WAYNE NEW ALBUM SONG NAMES SERIES#
3. #LIL WAYNE NEW ALBUM SONG NAMES FREE#

Still, the music has a polished sheen, and blockbuster moments – such as ubiquitous singles Lollipop and A Milli – don’t blunt Wayne’s phenomenal rapping, while his alien tendencies are teased out in various high-concept experiments. Tha Carter III (2008)Īfter numerous delays, Tha Carter III fell just short of the legendary mixtape run that came before it. But now 21, Wayne’s voice smoothed from the jittery style of his early records to the more monstrous flow that would become so familiar. Mannie was still chiefly in control behind the boards and Wayne’s focus was again on New Orleans street rap staples: cash, rap supremacy and his rivals. The first instalment of Tha Carter linked past and present. The hooks are killer: see Way of Life, which updates Junior Mafia’s classic Get Money. Perhaps feeling liberated, Wayne breathes more fire than before. The same team is assembled, but their presence is minimised, allowing Wayne’s tales from Chopper City more space, his braggadocio bristling with extra confidence.Īfter Cash Money’s first star, Juvenile, bailed out, Wayne asserted his allegiance to the label by calling his third album 500 Degreez – 100 hotter than Juve’s classic. Wayne’s second album offered a better showcase for his burgeoning talent than Tha Block Is Hot. His finest full-length in a decade, the 36-year-old’s music-making instincts and passion for rap reach levels we feared would never return. Wayne puts the frustrating delays and legal wrangles with Birdman in his rearview mirror with a personal, big-hearted record that combines modern sounds and thrilling early-00s pastiches. His froggy flow would smooth out, and quotable lines would become more cutting, but there’s plenty of no-nonsense street bars and plaintive musings from a kid who was already a father.

The 17-year-old little Wayne’s ferocious debut encapsulated the Cash Money Records machine with Mannie Fresh’s rumble’n’bump beats and ample appearances from Weezy’s group Hot Boyz and Big Tymers. This is well made early-2010s hip-hop, but where is Wayne’s once uncontainable personality? 8. Rather than inviting guests into his universe, Weezy frequently attempts to slide into the sonic lane of guys such as Rick Ross and T-Pain.

#LIL WAYNE NEW ALBUM SONG NAMES SERIES#

Wayne’s Tha Carter series has produced some of his most seminal records so it’s disappointing to find the fourth instalment feeling so superfluous. Photograph: Erika Goldring/Getty Images 9. Lil Wayne performing in New Orleans, August 2018. In five compositions and one hidden track Kristjan Randalu is playing. The music seems to float and at the same time it is rooted in a musical ground as rich as the European music tradition. Almost every melody is turning to an unexpected but still familiar acting direction. There are no repetitions but always new, ludicrous variations. And even when there is the impression that his accompanying figures are focusing on an ostinato, the movements of notes and rhythms shift with immense cleverness. Unbelievable how naturally a constant move of a wave is changing from the left to the right hand, while the melody is moving in opposite direction.

#LIL WAYNE NEW ALBUM SONG NAMES FULL#

Kristjan Randalu's fingers are dancing on the keys superiorly and accentuated, subtle and strong, full of nuances and engaging. (!) "Confidance" is the title of the CD, and the play of words is self-explanatory: It tells the story of confidance and the joy of dancing. Kristjan Randalu, born 1978 in the Estonian Tallinn into a family of two pianists, grown up in Germany, has the potential to become one of the great pianists in the European Jazz. Kristjan Randalu is telling his story - an Estonian Jazz Story, a jazzy Story from Estonia, an East-Story from the Jazzland? Maybe it is all together but one thing is for sure - I will recognize his extraordinary musical strength and his voice immediately when he plays - and so will you. Uniqueness of your personal musical language represents a guarantee for freedom in a true Jazz-sense.

The manko of speaking in your own voice seems to have become the actual deficiency in our time. He is rather proving the fact that the search for your own voice has to lead to uniqueness.

#LIL WAYNE NEW ALBUM SONG NAMES FREE#

He represents a generation of intelligent music personalities who have managed to free themselves from the pressure of screaming Jazz-gurus who fail to realize that Jazz has become a minor playground for musical innovation. Young Money All Stars songs "Kristjan Randalu is not a Jazz musician.